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    You are at:Home»Artist»Unseen Dimensions: Sabrina Puppin’s World of Color and Form
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    Unseen Dimensions: Sabrina Puppin’s World of Color and Form

    Mary WBy Mary WOctober 8, 2024No Comments3 Mins Read
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    Sabrina Puppin creates art that invites viewers into a world where color, shape, and space blur traditional boundaries. Hailing from Aviano, Italy, and now based in Doha and New York, Puppin’s art breaks down familiar visuals to uncover hidden connections and relationships. She uses abstraction to reveal the structures beneath perception, giving us more than what we see on the surface.

    Puppin’s process is dynamic and intuitive, allowing her to balance spontaneous expression with a controlled, intentional approach. Her work starts with loose, instinctive strokes that evolve as she shapes them, building complex interactions between colors and forms. The result is a mosaic-like composition that grows from her personal experiences, creating an environment for viewers to interpret and connect with individually.

    In “Distorted Architecture Diptych,” Puppin explores the tension between color and form through bold, expressive hues and detailed linear patterns. This piece pulsates with energy, inviting close inspection and engaging viewers in a multi-layered sensory journey. Color isn’t just decorative here—it’s a vivid emotional language, evoking a palpable sense of excitement and curiosity. Puppin’s understanding of color goes beyond aesthetics, using it as a way to draw viewers into a deeper connection with the work.

    With “Islands,” Puppin shifts focus, crafting a vibrant interplay of shapes and hues that feels both structured and spontaneous. This piece pulses with movement, capturing shapes in a rhythmic dance across the canvas. Amid the complexity, a delicate harmony emerges, balancing chaos with form. The repetitions and variations give it an organic geometry, merging the controlled and the unrestrained. This quality gives viewers a sense of freedom in the narrative, letting them find their way through its details.

    “New York’s Colors” celebrates the city’s character with a complex mix of geometric shapes and vibrant hues. Here, Puppin echoes the city’s intensity, capturing the balance between chaos and cohesion. Each glance at this work offers something new; fresh details emerge as viewers explore the patterns. By blending form and color, she encapsulates the spirit of New York, transforming the canvas into a dynamic, immersive experience.

    Puppin’s works are deeply shaped by her surroundings and experiences, distilling them into unique visual stories that feel both individual and universally relatable. Her process involves constant decisions, from the interplay of colors to the direction of lines, each choice building on the last. This approach allows her to explore themes of perception and reality, encouraging viewers to bring their perspectives to her pieces.

    At its core, Puppin’s art maps out spaces—both tangible and emotional. Her use of color and form dematerializes the familiar, urging viewers to see beyond the visible and enter a realm where abstraction meets reality. There’s a sense of risk in her process, a freedom to let materials guide her, creating pieces that shift and evolve through each stroke.

    In Puppin’s hands, art defies conventional boundaries, evolving as a series of choices and expressions. Her creations remind us that colors and shapes speak their own language, telling stories that need no words. Each piece expands our perception of reality, encouraging us to look beyond surfaces and explore new dimensions within the world and ourselves.

    Mary W
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